Anthony Campuzano
Born 1975, Philadelphia. Lives and works in Philadelphia.
EDUCATION
| 2000 | Tyler School of Art, Temple University, BFA |
| 2000 | Skowhegan School of Painting and Sculpture |
| 1997 | Yale University Summer School of Art |
SOLO EXHIBITIONS
| 2012 | Shelf Life 3: Anthony Campuzano, Pew Center for Arts & Heritage, Philadelphia |
| 2011 | Waters’ March, Churner and Churner, New York |
| 2010 | All Right – Still!, Fleisher/Ollman Gallery, Philadelphia |
| 2009 | Touch Sensitive, Institute of Contemporary Art, Philadelphia |
| 2007 | Note on Door, Fleisher/Ollman Gallery, Philadelphia |
| 2006 | The Police Are Here!, Fleisher/ Ollman Gallery, Philadelphia |
| 2005 | White Room Exhibition, White Columns, New York |
| Mr. Anthony Goes To School, Levy Gallery, Moore College of the Art & Design, Philadelphia | |
| 2004 | Paintings: Anthony Campuzano, The Players Club of Swarthmore, coinciding with the stage presentation of The Bad Seed, Swarthmore, Penn. |
GROUP EXHIBITIONS
| 2013 | The White Album, Louis B James, New York |
| 2012 | HiJack!, Jack Shainman Gallery, New York |
| 2011 | Drawn to Disaster, Institute of Contemporary Arts at Maine College of Art (ICA at MECA), Portland, Maine |
| Off Camera, Fleisher/Ollman, Philadelphia | |
| SubStainability, Texas State University, San Marcos, Texas | |
| 2010 | Read-Only-Memory, Winkleman Gallery, New York |
| 2009 | Stars, Salon 94, New York |
| In the Pines, David Risley Gallery, Copenhagen | |
| Rich Text, Fleisher/Ollman Gallery, Philadelphia | |
| Broad Shoulders & Brotherly Love, Hyde Park Art Center, Chicago | |
| Drawing in the World, Rosenwald-Wolf Gallery, University of the Arts, Philadelphia | |
| 2008 | Everything Else, Franklin Parrasch Gallery, New York |
| Update, White Columns, New York | |
| Castle In Context, Fleisher/Ollman Gallery, Philadelphia | |
| Partisan Merchandise Mart, Antropolis, Chicago | |
| 2007 | This Place Is Ours! Recent Acquisitions at the Academy, Pennsylvania Academy of Fine Art, Philadelphia |
| 2006 | 25 x 25, Cereal Art Project Room, Philadelphia |
| Chop Logic, Bellwether Gallery, New York | |
| Rock, Paper, Scissors: American Collage Now, Fleisher/Ollman Gallery, Philadelphia | |
| 2005 | Looking at Words, Andrea Rosen Gallery, New York |
| 2004 | Fabulous Histories: Indigenous Anomalies in American Art, Carpenter Center, Harvard University, Cambridge, Mass |
| Infinite Fill, curated by Cory and Jamie Arcangel, Foxy Productions, New York | |
| Summer Selections, Fleisher/Ollman Gallery, Philadelphia | |
| Golden Limo Tour, curated by Frankie Martin (a show of artworks made for a vehicle that traveled from Milwaukee to the Stray Show, Chicago, and Little Cakes, New York The Skull Show, curated by Hanna Fushiara, HaNNa, Tokyo) | |
| 2003 | The New Acropolis, Fleisher/Ollman Gallery, Philadelphia |
| 2001 | The Willow House, Ukranian Institute of Modern Art, Chicago |
| The Lake Is Cracking: Anthony Campuzano and Emilie Halpern, Graduate Studios Main Gallery, Art Center College of Design, Pasadena, Calif | |
| 1998 | Ramalamalama/Oomalamalama, Penrose Gallery, Tyler School of Art, Elkins Park, Penn |
| Chronic Sedition and New Work: Anthony Campuzano and Jenny Martin, Francis, Christina Gallery, Philadelphia | |
| 1997 | IDEAL, Tyler Gallery, Tyler School of Art, Elkins Park, Penn |
| 1996 | 15 Different Recipes, Temple Gallery, Temple University, Philadelphia |
PROJECTS
| 2012 | A Complete Die, etc., curated by Anthony Campuzano, with Kate Abercombie, John Finneran, Zach Harris, Karen Kilimnik, Anissa Mack, Mark Mahosky, Jessica Mein, and Justin Mitchell, Fleisher/Ollman, Philadelphia |
| Peace Is A Haiku Song, a project for the Mural Arts Program, in collaboration with Sonia Sanchez and Parris Stancell, Philadelphia | |
| Unhappy But Used To It / Six Years And Then Some, an online project for Title Magazine, Philadelphia | |
| 2010 | 2010 Summer Studio with Anthony Campuzano, Institute of Contemporary Arts, Philadelphia |
AWARDS
| 2009 | Pew Fellowships in the Arts |
| 2000 | Scholarship, Skowhegan School of Painting and Sculpture |
| 2000 | Carmela Corso Scholarship Prize, Tyler School of Art |
| 2000 | Edith Weil Hecht Memorial Award in Sculpture, Tyler School of Art |
| 1997 | Ellen Battell Stoeckel Memorial Fellowship, Yale University |
| 1994 | Portfolio Merit Scholarship, Tyler School of Art |
BIBLIOGRAPHY
| 2012 | Katherine Rochester, “Artist Up Close: Anthony Campuzano,” Philadelphia Weekly (August 2012) |
| 2011 | Aldrin Valdez, “Only So Deep,” ArtSlant (May 28, 2011), www.artslant.com Anthony Campuzano, portfolio or drawings published in Bat City Review 7 (2011),pp.81-96 |
| 2010 | Edith Newhall, “A Bevy of Venues for Philagrafika,” The Philadelphia Inquirer (January 24, 2010). |
| 2009 | John Vettese, “Second Season Art Preview,” City Paper (January 15, 2009). |
| 2006 | Jessica Pressier, “Philly School,” Philadelphia Magazine (May 2006) Edith Newhall, “Collage Hot Again,” Philadelphia Inquirer (March 24, 2006) Edith Newhall, “A Bold Statement by Young Philadelphian,” The Philadelphia Inquirer February 10, 2006) |
| 2005 | William Pym, “Mr. Anthony Goes to SchDesign (November 2005) |
| 2004 | Anthony Campuzano, two drawings published in FO A RM magazine 3 (Summer/Fall 2004) Miriam Seidel, “Curators Mount a ‘New Acropolis,’” The Philadelphia Inquirer (January 9, 2004) |
| 2002 | Anthony Campuzano, drawing published in Sound Collector Audio Review (Summer 2002) |
Ryan Steadman, "Critics' Picks," ArtForum (April 2013)
"Goings On About Town: Art, Anthony Campuzano" The New Yorker (April 2013)
Katherine Rochester, "Artist Up Close: Anthony Campuzano," Philadelphia Weekly (August 2012)
Adrin Valdez, "Only So Deep," Artslant.com (June 2011)
Caleb Klaces and Daniel Payavais, “All Right - Still (close-up): A Project by Anthony Campuzano,” Bat City Review (University of Texas Austin) 7 (2011), pp. 81-96
Joseph Shahadi, “Burn: The Radical Disappearance of Kathy Change,“ The Drama Review 54 (Spring 2011)
Edith Newhall, “Levonian’s animations are showcased in 2 venues,“ The Philadelphia Inquirer (May 16, 2010)
Ann Landi, “Where the Art Happens: Museums are finding ingenious ways to connect visitors with the artist’s interior world,“ Art News (June 2010) Edith Newhall, “A Bevy of Venues for Philagrafika,” The Philadelphia Inquirer (January 24, 2010)
Roberta Fallon, “Words on the Street,“ The Philadelphia Weekly (February 11, 2009)
Edith Newhall, “See & Spell," The Philadelphia Inquirer (February 1, 2009)
John Vettese, “Notes to Self: Anthony Campuzano deals with mortality and memory in bits and pieces,” City Paper (January 16, 2009)
Edith Newhall. “Anthony Campuzano Takes Us Where Dead Men Walk,“ The Philadelphia Inquirer (October 5, 2007)
New American Paintings 69 (May 2007)
2007 Philagrafika Invitational Print Portfolio, lithograph produced with The Brandywine Workshop, Philadelphia
Jessica Pressier, “Philly School,” Philadelphia Magazine (May 2006) Edith Newhall, “Collage Hot Again,” Philadelphia Inquirer (March 24, 2006) Steven Stern, “Liberal Arts,“ New York Times Style Magazine: Travel (Winter 2006)
Edith Newhall, “A Bold Statement by Young Philadelphian,” Philadelphia Inquirer (February 10, 2006)
Miriam Seidel, “Curators Mount a ‘New Acropolis,’” The Philadelphia Inquirer (January 9, 2004)
Anthony Campuzano, drawing published in Sound Collector Audio Review (Summer 2002)
Anthony Campuzano, two drawings published in FO A RM magazine 3 (Summer/Fall 2004)
William Pym, “Mr. Anthony Goes to School,“ pamphlet for Moore College of Art and Design (November 2005)
Reprise (dan Treacy), 2012
colored pencil and graphite on board
15 x 20 inches
Self Portrait with Lenora McDuffy, 2011
ink and graphite on board
40 x 30 inches
Live Show, 2012
ink and photographs on board
40 x 30 inches
Anthony Campuzano
Everybody Matters (1 of 3), 2012
Anthony Campuzano
Everybody Matters (2 of 3), 2012
Anthony Campuzano
Everybody Matters (3 of 3), 2012
Caution, 2011
colored pencil, ink, and graphite on board
40 x 30 inches
Portrait of Cheryl Cole, nee Tweedy, 2012
colored pencil and graphite on board
20 x 15 inches
Allegheny 2, 2011
colored pencil, ink, graphite, and photograph on board
30 x 40 inches
Early Egypt, 2011
colored pencil and graphite on board
15 x 20 inches
Secrets (For E.H with study), 2011
colored pencil, ink, graphite, and photograph on board
20 x 15 inches
An Economic Model / An Economic Model (weather related version), 2009-2010
colored pencil, ink, graphite, and photographs on board, in two parts
40 x 30 inches each
courtesy Fleisher/Ollman Gallery, Philadelphia
After the Day After, 2006
colored pencil, ink, and graphite on board
40 x 30 inches
Internal Miranda, 2008
colored pencil and graphite on board
20 x 30 inches
In Search of a True Center, 2004
ink and graphite on illustration board
28 x 22 inches
Always Flirt with Death, 2007
ink and colored pencil on poster board
40 x 30 inches
