Nils Karsten: Suburbia Hamburg 1983

December 20, 2012 - February 02, 2013

Nils Karsten: Suburbia Hamburg 1983

December 20, 2012 - February 02, 2013

  • Fresh Fruits for Rotting Vegetables, 2012
    ink on paper
    66 x 66 inches

  • Fresh Fruits for Rotting Vegetables, 2012
    ink on plywood
    60 x 60 inches

  • X, 2012
    ink on paper
    66 x 66 inches

  • X, 2012
    ink on plywood
    60 x 60 inches

  • April 5th, 1975 – Autobahn, 2012
    oil on canvas/ woodblock print
    21 x 31 inches

  • July 4, 1976, 2012
    ink on canvas/ woodblock print
    21 x 31 inches

  • March 11th, 1978, 2012
    ink on canvas/ woodblock print
    21 x 31 inches

  • October 12th, 1978, 2012
    ink on canvas/ woodblock print
    21 x 31 inches

  • February 2, 1979, 2012
    ink on canvas/ woodblock print
    21 x 31 inches

  • May 18th, 1980 – Ian, 2012
    oil on canvas/ woodblock print
    21 x 31 inches

  • May 21st, 1980 – Joe, 2012
    oil on canvas/ woodblock print
    21 x 31 inches

  • Sister Midnight, 2012
    woodblock print
    110 x 64 inches

  • Five Fingered Robot Hand Driven, 2012
    graphite and collage on paper
    16 x 12 inches

  • For Each There Kind Of Landing Zone, 2012
    graphite and collage on paper
    14 x 10 inches

  • Grafts. Get The Lux You Want, 2011
    graphite and collage on paper
    9 1/2 x 12 1/2 inches

  • Hard Position Standing Up Hands Too, 2011
    graphite and collage on paper
    9 1/2 x 13 inches

  • Perfect Poise, 2011
    graphite and collage on paper
    14 x 11 inches

  • Some Other Time-Not 4th Of July, 2012
    graphite and collage on paper
    12 x 9 inches

  • The Exorcism of Sid Vicious, 2012
    graphite and collage on paper
    15 x 12 inches

  • The Light, The Light 2012
    graphite and collage on paper
    13 x 9 1/2 inches

  • What Did the Sphinx Say, 2011
    graphite and collage on paper
    9 1/2 x 13 inches

  • installation view: Suburbia Hamburg 1983

  • installation view: Suburbia Hamburg 1983

  • installation view: Licht und Blindheit, 2012

  • installation view: Suburbia Hamburg 1983

  • installation view: Suburbia Hamburg 1983

opening reception: Thursday, December 20, 6-8pm
 
Churner and Churner is pleased to present the woodcuts, collages, and paintings of artist Nils Karsten in his first solo exhibition with the gallery. In “Suburbia Hamburg 1983,” Karsten displays woodcut prints of album covers and historic typewritten moments from the punk and postpunk movements that were formative to him during his suburban adolescence in Hamburg, Germany. These images of the punk ethos represent not only the upheaval of Karsten’s teenage years, but also the social and political upheaval found in Germany in the 1970s and 80s.
 
Woodcut prints comprise the main body of work in “Suburbia Hamburg 1983,” a humble art form that ushered in a remarkable democratization of art during the early Renaissance in Western Europe. Karsten equates the history of the woodcut, an art form with a rich tradition in his native country, with the antiestablishment culture of punk. Expanding the 12-by-12-inch dimensions of the album to absurd proportions, Karsten then uses precision dental instruments to carve into a 6-by-6-foot plywood block. The finished woodcut is then printed by hand onto rough, heavy, paper. Blown up to such a scale, these familiar images are rendered both foreign and nostalgic. Seeing the woodcut and the print together only heightens incongruent emotions, as the distinction between art object and process become blurred. In a similar manner, the cold precision of Karsten’s Chronicles – journalistic descriptions of moments in punk history – emit the neutral record-keeping of an On Kawara, while simultaneously exhibiting deep and personal meaning for the artist.
 

ABOUT THE ARTIST
Nils Karsten received his BFA from the School of Visual Arts in 1999, participated in the Skowhegan program in 2002, and received his MFA from Vermont College of Fine Arts in 2003. Since then, he has been a faculty member at the School of Visual Arts in New York. His work has been shown in galleries and museums throughout the U.S., and internationally, with solo exhibitions at Contrasts Gallery in Shanghai, China; Earl McGrath in Los Angeles; Marvelli Gallery, New York; and Ubu Gallery, New York. He has participated in recent group exhibitions at the Museum of Art and Design in New York; the Islip Art Museum, Long Island, New York; the Museum of Fine Arts Houston; and the Pera Museum in Istanbul, Turkey. Karsten currently lives and works in Brooklyn.

 

Welcome to villagevoice.com

Art
Best in Show: Gone Vicious 
   by Rob Shuster
Wednesday, Jan 9 2013

Nils Karsten: ‘Suburbia Hamburg 1983′

Karsten exorcises Sid.                                                         Courtesy Churner and Churner, New York , Karsten exorcises Sid.

The woodcut might seem like a rather staid choice for relating memories of punk rock, but in Nils Karsten’s hands, the old-fashioned printing technique—German in origin—neatly evokes the raw energy of the music scene the artist encountered as a teen in Hamburg. In one series, Karsten has created giant versions of old album covers. Carved into table-size squares of plywood with dental drills, and then inked onto big squares of paper, the stark, outsize images shout as loudly as the bands did. Those burning police cars that advertised the Dead Kennedys’ 1980 debut record now carry a jolting, dreamy menace. Enlarged, that bygone nihilism rushes back.

Elsewhere, brief paragraphs recalling significant episodes from the era—also printed from handmade blocks—seem to emerge in their frames from the haze of time. Wood-grain marks, resembling the scratches on old film, surround the blunt bulletins (the suicide of Joy Division’sIan Curtis, the arrest of the Clash’s Joe Strummer) with that cinematic sense of the past.

Karsten again summons the death of Curtis in a provocative poster that features a woman’s eyes being stretched wide by a pair of male hands. Two phrases, spelled backward, sandwich her fright: “Licht und Blindheit,” a Joy Division single that means “light and blindness,” and “Sister Midnight,” the Iggy Pop song reportedly playing when Curtis’s body was discovered. Photo collages in the manner of Stan VanDerBeek shift the style into surrealism and include, among other amusing visions, the exorcism of Sid Vicious.

Churner and Churner, 205 Tenth Avenue, 212-675-2750,churnerandchurner.com. Through February 2